「AI人工智慧的奇異樂園－七號騎士人工意識的山水景觀」科技藝術畫展 “Wonderland of AI – the Landscape of Rider No. 7’s Consciousness” Art Exhibition
Description藝術家簡介 / About Artist：
楊雲浩，生於1957年，早年赴美深造取得電腦多媒體藝術碩士學位，在多媒體科技藝術尚未普遍的年代，即嘗試以電腦從事藝術創作。1992年起便於台中市黃河藝術中心，展出以數位藝術創作為主的〈四度空間探討〉。2018年4月於國立國父紀念館逸仙藝廊舉辦〈人工智慧的奇異樂園〉個展，近年創作重心在科技藝術對人類的影響。
Mike Yang, born in 1946, obtained a Master’s degree in Computer Arts and Multimedia in the 1990s. Yang’s artwork started involving digital technology in a time when artificial intelligence has not yet gained widespread attention. His solo exhibition- “4th dimension of exploration” was staged in 1992. In April, 2018, a series of artworks deeply engaging with recent development in artificial intelligence was transformed into a grand solo exhibition, entitled "Wonderland of AI" at Yixian Art Gallery, National Sun Yat-Sen Memorial Hall. His artwork in recent years mainly focuses on how technology impacts on our society.
展覽介紹 / About the Exhibition：
AI人工智慧的發展趨勢下，人類願意付出何種代價變成人工智慧人？
科技藝術家楊雲浩的作品以跨領域的角度，探討人類長久以來一直在思考的問題：甚麼是自我存在的意義和意涵？展覽的敘事從「人」在人工智慧時代如何抉擇？如何看待其特質在人工智慧世界中的存在或消亡？本畫展以人性特質與人工智慧科技演變的互動為主軸，在這座人工智慧建立的奇異樂園之中，表現人格特質背叛了人性的荒謬性，反烏托邦的特質便是此次展覽創作的精髓。希望藉由科技的豐富性，實驗性地增進藝術創作的多變風貌，也點出人性的特質，提供觀者更強烈的思索空間。
What kind of price people are willing to pay to become an artificial-intelligence man?
The exhibition portrays a bizarre paradise about the interaction between human beings and the artificial intelligence to explore the human mind. The whole paradigm of the artificial intelligence is based on the interaction between the personality traits of human beings and the technologies of the artificial intelligence. In this paradise created by artificial intelligence, personality traits that point out one of humanity have betrayed human nature. The absurdity of this utopia is the essence of this creation. Such a mode of creation not only hopes to enhance the artistic changes of the art experimentally by the richness of science and technology, but also points out the characteristics of the human nature.
